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Movie reviews by Sean P. Means.

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Korean immigrant Jacob Yi (Steven Yuen, right) shows her son David (Alan Kim) their Arkansas farm, in the drama “Minari,” an official selection of the U.S. Dramatic competition of the 2020 Sundance Film Festival. (Photo courtesy of Sundance Institut…

Korean immigrant Jacob Yi (Steven Yuen, right) shows her son David (Alan Kim) their Arkansas farm, in the drama “Minari,” an official selection of the U.S. Dramatic competition of the 2020 Sundance Film Festival. (Photo courtesy of Sundance Institute.)

Sundance review: 'Minari' neatly captures life for a Korean farm family in '80s America

January 28, 2020 by Sean P. Means

‘Minari’

★★★1/2

Playing in the U.S. Dramatic competition of the 2020 Sundance Film Festival. Running time: 115 minutes. In English, and Korean with subtitles.

Screens again: Thursday, Jan. 30, 2:30 p.m., The MARC (Park City); Friday, Jan. 31, 6 p.m., Rose Wagner (Salt Lake City); Saturday, Feb. 1, 8:15 a.m., Egyptian (Park City).

——

Culture clashes and family struggles are at the heart of “Minari,” an emotionally resonant drama from director-writer Lee Isaac Chung.

Jacob Yi (Stephen Yuen, formerly of “The Walking Dead”) and his wife, Monica (Yeri Han), are a Korean-born couple who have left California for Arkansas in the mid-1980s, to pursue Jacob’s dream of running his own farm. With them are their American-born kids, Ann (Noel Kate Cho), who’s about 11, and 7-year-old David (Alan Kim), who gets extra pampering and worry from Monica because he has a heart murmur.

Jacob is enthusiastic about the fresh start, from buying a new tractor to hiring Paul (Will Patton), a local laborer who practices his own eccentric brand of Christianity. Monica is less thrilled about the single-wide pre-fab home they are living in, though her spirits pick up when her mother (Youn Yuh Jung) comes to live with them, bringing Korean chili powder and a penchant for playing cards. David is reluctant to befriend Grandma, whom he’s never met, but they bond over planting seeds of minari, a Korean plant and on-the-nose metaphor that fares well wherever it’s sown.

Chung’s script runs the Yi family through hardships, both financial and marital, while also displaying David’s child’s-eye view of life in the South. Chung’s direction captures the details of life in Reagan’s America, of Sunday church services and summer heat waves. And the cast, particularly Yuen and Han as the couple struggling to stay together through hardship, is exceptional.

January 28, 2020 /Sean P. Means
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